Electri6ity's built-in effects are no mere cheap add-on. Vir2 Instruments Electri6ity Vir2 is developing a reputation for its quality virtual instruments and the latest of these is the ambitious virtual guitar library Electri6ity, which has been three years in development. Containing over 24,000 24-bit samples taken from eight of the best known electric guitars, this library uses Kontakt 4 as its playback engine and, beyond the raw sample data, it utilises a wealth of scripting information to attempt to provide a complete solution for studio based non-guitarists or indeed for guitarists who don't happen to have several thousand pounds worth of high quality axes lying around. 'Pretty much any parameter you can think of can be manipulated via control changes or key switching' So far, so good, but does this impressive theory equate to a similar level of playability? Install and first impressions Well, before we get to that, let's get the essentials out of the way. Electri6ity ships on four DVDs containing an installer for the library and, if you need it, a separate one containing the latest version of the Kontakt Player.
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Note that if you are a Kontakt 4 user who hasn't updated since your first install, you'll need to run NI's Service Centre to update as this is a system requirement for Electri6ity. The library will munch 27GB of your hard drive space and installing to an internal or external 7200 or 10000rpm FireWire drive is recommended over a USB equivalent. Thereafter, launch Kontakt and activate the library as usual through the Service Centre and you're away. The instruments sampled read as a who's who of the world's most celebrated guitars, namely: Stratocaster, Telecaster, Les Paul, P90, Rickenbacker, Danelectro Lipstick, ES335 and L4 and each has been recorded with Front, Rear and Front/Rear blended pickup positions, from which you're free to choose.
Playing modes vary between polyphonic, monophonic and both sustained and muted legato, with slides and other techniques available in all modes for lots of real-time performance enhancement. The realism goes on, as you can choose the release mode in performance, with finger noise, hand mutes and pick noise just three of 14 separate release 'types'. By now you might well be wondering how all of this is selected and intuitively 'playable' and that's where the magic of the Kontakt engine takes over. Vir2 have extensively programmed AMT (Articulation Morphing Technology) and VMT (Velocity Morphing Technology) scripts into Electri6ity's GUI so that, as you play, the engine carefully analyses your performance and uses your playing style and velocity response, for example, to instantaneously switch between samples and playback styles.
However, if you want to get involved, rather than let the engine do all of the work for you, pretty much any parameter you can think of can be manipulated via control changes or key switching, so you can hone the guitar of your choice to your own setup and playing style. Within Kontakt, full versions of the instruments are available in both 'DI' and 'Amped' forms, with 'full', 'sustain only' and 'muted' versions. The latter two are offered to dramatically decrease load times which will prove useful. Once you've loaded an instrument, three tabs (or four for Amped models) let you get down to the nitty gritty of setting up your chosen guitar.
The most comprehensive of these is the Settings page, which contains a multitude of parameters in various categories, so that you can choose how the strings are tuned or will resonate, how wide vibrato will be for notes that exceed the automatic vibrato threshold or how quickly you want slides to perform to name but four parameters. At both extremes of the keyboard range, a huge number of articulation possibilities are provided to help you effortlessly switch from sustains to mutes to bends to strums to slides to picks and so on. Electri6ity's Effects Choose an 'Amped' guitar and you'll find the instrument loads with its own 'Effects' tab within which you'll find three custom effects generators.
The first is a multi-effects unit with phaser, flanger, chorus, reverb and delay algorithms, one of which can be selected to provide a series of parameter dials. The second is a 'Screamer' pedal style distortion unit with tone controls, overdrive and amount dials while the final section provides amp modelling. There are seven 'modelling' types available including Modern, Metal, British and Classic, with three microphone positions available. You can choose between Dry, Medium and Wet room treatments and independently bypass one or either of the Drive and Amp stages of the amp model you build.
The results are excellent and by no means a 'cheap add on' to the DI alternatives. We could see ourselves using this integrated solution rather than simply firing up Guitar Rig, Amplitube or Amp Designer as a default option. Electri6ity is a phenomenal library and certainly represents the most comprehensively sampled and organised virtual guitar system we've seen to date. You'll need to commit to Electri6ity, as its almost overwhelming range of performance options take some learning. The important thing, though, is that if you want a range of well-sampled guitars, powered by an engine that will let you use them to create 'photo real' performances, Electri6ity will step up and deliver, regardless of the musical style you prefer to play.
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A truly stunning library. Listen to a few examples of what Electri6ity can do with our audio demos: Tele DI Filter FX Phased Strat Rickenbacker Amped.
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After more than three years of development, Vir2 Instruments presents Electri6ity, an epic electric guitar virtual instrument containing the most advanced, detailed, and versatile collection of electric guitars ever made in a virtual instrument. Electri6ity contains eight of the most famous and distinguished guitar tones in the history of the instrument. More than 24,000 24-bit samples were taken of each guitar. Three pickup options (front, rear, and mixed) are available on every guitar. An impressive amount of samples allow you to play every articulation on every fret of every string for an absolutely authentic guitar sound.
Downstrokes, upstrokes, seamless velocity layers, ghost notes, mutes, harmonics, hammer-ons, pulloffs, slides, releases, and FX.the sky is the limit with Electri6ity. Electri6ity also utilizes the most advanced scripting to date, including the revolutionary Articulation Morphing Technology (A.M.T.) and Velocity Morphing Technology (V.M.T.), allowing for the seamless morphing from dead mute to sustain or from soft to loud. Advanced string and fretboard positioning is performed by artificial intelligence which adapts to your playing. Play fluid lines in real time using the legato engine, play chords using the chord detection engine which understands almost two thousand different chords, easily double-track, do unison bends, strum, pick, trill, tremolo pick, slide.all of this is built into the Electri6ity engine and full editing control is given over each of these parameters. All samples in Electri6ity are recorded clean - a direct input from the guitar.
Use Electri6ity's built-in multieffects (phaser, flanger, chorus, reverb, and delay), Screamer module, and amp simulation (British, Classic, Clean, Jazz, Metal, Modern, and Rock) to make the sound come alive, or use your own guitar amps or simulators to multiply the possibilities. Electri6ity is powered by the industry-leading Kontakt 4 engine. It is compatible with VST, AudioUnit, and RTAS (Pro Tools 7 & 8) plug-in formats allowing it to work seamlessly within any major sequencer, in addition to standalone use on both an Intel Mac and PC. This product refers to a number of registered trademarks, and are made for the purposes of illustration only, and do not imply a license or endorsement from the trademark owners.
Vir2 Electri6ity Free Download
These trademarks remain the property of their registered owners. These include (but are not limited to): 'Les Paul', 'Les Paul P90', 'P90', '335', 'ES-335', 'L4', 'Gibson L4' are registered trademarks of Gibson Guitar Corporation; 'Strat', 'Stratocaster', 'Tele', 'Telecaster' are registered trademarks of Fender Musical Instruments Corporation; 'Lipstick' is a registered trademark of Danelectro; 'Rickenbacker' is a registered trademark of Rickenbacker International Corporation. Electri6ity includes eight guitars:. Strat. Tele.
P90. Les Paul. Rickenbacker. Danelectro Lipstick. ES335. L4 Three pickup positions:. Front.
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Rear. Front + Rear Blend Recorded variations per sample:. Downstroke/upstroke. Picked/strummed.
Seamless velocity layers Playing modes:. Polyphonic. Monophonic. Legato (Sustain/Muted). All modes can be combined with a Slide Mode for real-time slides from each fret to each other fret.
The Following End User License Agreement is included with Electri6ity. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Electri6ity from a dealer or distributor authorized by Big Fish Audio. 'The samples contained herein are licensed, not sold to you, the individual end user, by Vir2 Instruments. This non-exclusive, non-transferable license is granted only to the individual end user who has purchased an unopened, new, and lawfully made copy of this product from a dealer or distributor authorized by Vir2 Instruments. All samples remain the property of Vir2 Instruments and are licensed only for use in the creation of a live or recorded performance that includes the licensed samples as part of a derivative musical work created by the licensed end user. This license expressly forbids resale, rental, loan, gift, or transfer of these samples in any format or via any medium, except as part of a derivative musical work.
The samples may not be included, whether unmodified or as part of a derivative work, in any sample library product. Any unlicensed usage will be prosecuted to the maximum extent possible under the law.' Computer Music 9/10 The workstation guitar patches of yesteryear typically used a handful of feeble-sounding samples, or, even worse, cheesy FM synthesis.
The results were thoroughly unconvincing, but the tables have since turned, Vir2's new Electri6ity sample library being a case in. Free ipa download. EQ Magazine Electri6ity is an ambitious, complex virtual instrument/sound library that takes playing guitar on keyboards to new levels. Like other Vir2 products it's based on the Kontakt Player, but this one pushes Kontakt 4 further than I've seen before-especially in terms of. FutureMusic Vir2 is developing a reputation for the quality of their virtual instruments and the latest of these is the ambitious virtual guitar library Electri6ity, which has been three years in development. Containing over 24,000 24-bit samples taken from eight of the best known.
KEYBOARDMAG.COM I once gave a seminar in Nashville on synth programming. One attendee asked, 'I can't get a good guitar sound from my synth. What do you recommend?'
The answer was obvious: 'You're in Nashville. Hire a guitarist.' Today, my answer would include 'or get Electri6ity.' MusicTech Magazine 9/10 If you love the sound of guitars but can't actually play one, Vir2 might have the perfect solution. Electri6ity is a new virtual electric guitar instrument from Vir2, a team of international sound designers, musicians and programmers who specialise in producing.
Playmusic PICKUP VIR2 Electri6ity represents the latest sample-based software that approaches the challenging job of capturing the complex dynamics of the electric guitar. Playmusic has recently looked at quite a few sample based libraries designed to emulate the sounds of real acoustic.
Recording Magazine In this issue about getting great guitar sounds, allow me to mention a way to do it even if you don't have a guitar in your studio! Electri6ity, produced by Southern California company Vir2 Instruments, is an electric guitar library intended to provide all the nuance.
Sound On Sound Pros - Eight classic guitars offer plenty of tonal and stylistic variety. High level of performance detail, even using the default settings. Bags of potential for insanely detailed, finely nuanced performances. Cons - Heavy RAM requirement presents limits for 32-bit. SoundsAndGear.com 5/5 What is Electri6ity? According to Vir2 it's 'the ultimate virtual electric guitar instrument' In my own words, it's a highly detailed and advanced electric guitar library that tries to capture the realism of guitar playing. It does auto chords, so when you play chords.
Electri6ity Played Live By Richard Friedman Electri6ity Tutorial 1: Tour of the Guitars Electri6ity Tutorial 2: Performance and Fretboard View Electri6ity Tutorial 3: Settings Page and MIDI Automation Electri6ity Tutorial 4: Playing and Keyswitching Electri6ity Tutorial 5: Strumming and Triggers Electri6ity Tutorial 6: Amps and Effects David Das of Vir2 Instruments shows Electri6ity at NAMM 2010 Video demo showing Electri6ity's fretboard artificial intelligence and the source MIDI that triggers it. Electri6ity playing famous riffs. Electri6ity's Tele patch playing a funk solo.
A Jazz demo of Electri6ity's 335 and L4 patches. Electri6ity's Strat rear pickup playing Paganini. Electri6ity playing power metal. Electri6ity's Les Paul playing a Chopin variation.
A modern mix demo of Vir2 Instruments' Electri6ity.
Don't let Vir2's inexplicable '6' put you off: their new virtual guitar instrument is quite special. Electri6ity's default display, showing 14 key parameters affecting the tone and behaviour of the guitar. Electri6ity is the latest in performance‑oriented virtual guitar instruments, and Vir2's take on the concept offers almost manic levels of detail to satisfy even the most chronically obsessive would‑be plank thrasher. Electri6ity is based around a 28GB core library, hosted by NI's popular Kontakt 4 Player, and so works with Macs and PCs. Tens of thousands of samples are involved, covering many articulations and playing techniques.
Despite streaming samples from hard disk, Electri6ity demands a significant amount of RAM: one Electri6ity instrument with all articulations loaded consumes in the region of 700MB. Electri6ity offers highly detailed recreations of not just one, but eight classic electric guitars, a summary of which can be found in the 'About The Guitars' box. Over 24,000 24‑bit samples were taken of each guitar — clearly a labour of love for Vir2's programmers! The library spans four DVDs, and is supplied with the free Kontakt 4 Player. If you already own the full version of Kontakt 4, installation of the Player is not required. Permanent activation of the library is via the usual Native Instruments Service Center (sic) application. Installation turned out to be a lengthy process, no doubt due to the sheer number of samples involved — in my case it took six hours!
An ideal opportunity to watch the DVD boxed set of Brideshead Revisited, then. Electri6ity's library is very simply organised. The Instruments folder contains two sub‑folders: DI and Amped. Within each of these are eight.NKI patches — one for each guitar.
These patches are the fully detailed instruments, comprising all articulations. Should you not need this highest level of detail, two further sub‑folders provide 'lite' versions of each guitar, offering sustain and muted, or sustain articulations only. The Amped folder is identical in content to the DI folder, the difference being that the Amped versions make use of Kontakt's own multi‑effects, amp and cabinet simulations. Owners of Guitar Rig or any comparable guitar‑amp simulator plug‑in will probably want to ignore the Amped folder and concentrate on the DI patches (with all due deference to NI's effects algorithms, of course!). The Multis folder content echoes the Instruments folder, but offers ready‑made 'double‑tracked' versions of each guitar.
These are constructed using two instances of the same guitar patch, each one using an alternate set of samples to avoid phasing problems, yet still only occupying the same RAM footprint as a single patch. Vir2 make much of what they call 'Artificial Intelligence', which works behind the scenes of Electri6ity and is all the product of some pretty intense KSP scripting. The AI takes care of many aspects of the sound automatically — chord detection, fret position, upstrokes and downstrokes, string selection, release noises and so on — and makes 'informed' decisions about these based on your playing. Speed of playing, phrasing, even the direction of notes in a phrase all have a bearing on the choices Electri6ity makes.
The intention is that nothing happens purely at random, but instead reflects how a guitar would most likely behave in the real world. Individual aspects of the AI can be overridden at the player's discretion, so, for example, you can force a phrase to play on a specific string, or lock the fret position, or play a phrase entirely with downstrokes or hammer‑ons if you want to. From the Settings tab, 13 parameter categories are available for finely tweaking every aspect of the guitar simulation.
Where a large dial is shown on the left (as here) this is used to scroll down the parameter list. The smaller dials on the right change the values of each parameter, while the small drop‑down arrows are used to change their pre‑assigned MIDI CC numbers if required. All Electri6ity's in‑depth parameters (and there are many) for controlling the guitar's sound and behaviour are concealed behind three tabs (four for the Amped versions) and drop‑down menus. The Performance tab is the default view, and provides easy adjustment of 14 key aspects of the guitar's sound and behaviour: pickup selection, tone, vibrato type, release noise volume, and so on. All the guitars load with the same default setup, which Vir2 have designed to be 'ready to play'. Naturally, once you become more familiar with Electri6ity, you may want to alter this default behaviour to suit your purpose.
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This is where the Settings tab comes into play. It would be fascinating to examine the KSP scripting required to do what Electri6ity does, but you can't, as Vir2 have (probably very wisely) locked out any of Kontakt's normal editing functions. The sheer number of variable parameters in the Settings tab provide a clue to the complexity of the KSP scripting (I lost count at around 170). Since they are hidden amongst the drop‑down menus (and hence not immediately accessible during performance), all parameters are assigned MIDI controllers, so if you wish to alter the strumming angle, sympathetic resonance, fret position, pick position or number of strings being strummed, for example, you can do so using a hardware controller in real time (or using sequencer automation), without recourse to the menus or mouse. Many users, however, will probably be more than happy to play Electri6ity using the default settings. One notable aspect of Electri6ity that contributes greatly towards its realism is the use of Kontakt 4's Velocity Morphing (VMT) and Articulation Morphing (AMT) technology.
This allows seamless morphing between dead mute, half mute and sustain articulations, something not possible on other sample‑based instruments so far. You can even morph between sustain and pinch harmonic articulations. I'm not a guitarist, but I'm sure you can't do that on the real thing! This morphing feature is right at your fingertips from the moment you load a guitar. By default, key velocity does the morphing between articulations, while the mod wheel morphs smoothly through the velocity layers. If you don't like this arrangement, it can be reversed very easily from the Performance tab: just click Setup and select the alternative setting.
The method you use will depend entirely on personal taste, but this feature alone injects so much life into the sound as you freely vary the amount of damping pressure upon the strings as you play. This tab provides visual feedback of how Electri6ity's AI is selecting strings and fret position, as well as indicating upstrokes and downstrokes. This is very useful for confirming that any forced changes to this behaviour that you make are, indeed, doing what you intend. Electri6ity employs similar playing techniques to other virtual guitars, by dividing the keyboard into zones; principally, a main zone for playing notes or voicing chords, and a zone for triggering strums. Electri6ity also has additional keyswitch zones, used to access various articulations, making the whole range of performance possibilities available directly from your keyboard without having to shift Electri6ity into different playing modes. Switching between single notes, finger-style and chord strumming is handled automatically — when Electri6ity detects three or more notes arriving simultaneously, it assumes a chord is required, and the chord-recognition script finds a suitable guitar voicing for it depending upon your inversion and position on the keyboard. This chord can then be 'strummed' using the keys in the strumming zone.
However, if you play three or more separated notes (an arpeggio or finger-style part, for example), no chord detection takes place, so you can freely jump between the two playing styles without having to think about it. Electri6ity defaults to playing polyphonically when you load a guitar, but additional monophonic 'solo' modes can be selected via keyswitches. Solo mode makes fluid, legato lines easy to play, whilst articulating the plectrum stroke of every note.
Legato mode (sustained or muted) takes this further, playing entirely with hammer-ons, pull‑offs and single-fret slides, all automatically chosen by the software in response to your playing. The effect is similar to the Van Halen 'tapping' technique, and sounds remarkably believable too. Kontakt's own effects and amp simulations can be controlled from the Effects page. The stomp box on the left can provide any combination of phaser, chorus, flanger, delay and reverb. Due to the limits of an 88‑note keyboard, Electri6ity has more articulations than there are available keys with which to perform keyswitches. Vir2 have come up with a clever way around this problem by extending the functions of the keyswitch keys. Keyswitches fall into four types: Normal, where a keyswitched articulation remains active until a new one is selected; Forced, where the keyswitch is active only for as long as it's held down; Velocity, whereby a low‑velocity press selects one articulation and a high‑velocity press selects another; and Combined, whereby holding down an 'anchor' key (A1) and pressing any other keyswitch key in the lower red zone temporarily overrides Electri6ity's automatic choice of release samples with specific ones you may prefer.
The upper red keyswitch zone comprises the various strumming trigger keys (not actually keyswitches per se). Individual up/down strumming keys are provided for full sustain, half‑muted, muted, dead‑muted and chuka‑chukas, plus six more for arpeggiating each individual string in a chord. Two further keys enable any sounding notes to be 'nudged' repeatedly one fret up or down until the limit of the string is reached. This works for chords as well as single notes, making it possible to perform 'slidey' funk chord riffs, as well as giving an alternative way of performing legato slides with precise manual control over their speed.
One typical guitar articulation not covered by keyswitches is unison bend. This is performed very transparently via the pitch wheel, and is activated automatically whenever Electri6ity detects two simultaneous notes a major or minor second apart. Curiously, one guitaristic effect missing from Electri6ity is feedback — something for the KSP scripters to get their teeth into for a future update, perhaps? The blue area indicates the guitar's playing range.
The lower red keyswitch zone contains the majority of articulations and the upper red zone is where you'll find the strumming trigger keys. Note the green 'anchor' key (A‑1) used in combination with the red keys for force‑selecting specific noises. The low yellow keys provide alternative strumming triggers. Developers of sample libraries such as Electri6ity are clearly aiming towards the 64‑bit computer market, where RAM limitations are less of an issue. Windows XP 32‑bit users will need to find other workarounds, such as running in 3GB Switch mode, and 'freezing' instruments to free up RAM as they go. In this latter situation, I'd suggest loading each guitar into a separate instance of Kontakt: that way you can freeze and unfreeze them individually as necessary, rather than having them 'tied together'.
Limited space precludes describing every aspect of Electri6ity. Nevertheless, it should be clear that this instrument has been designed to replicate its eight guitars in considerable detail. How much of the subtler details are actually going to be noticeable depends to some extent on how the guitars are used — some amp settings and processes bring them to the fore, others less so. Other virtual guitar instruments on the market (notably Musiclab's RealStrat and RealLPC) are capable of no less believable results within their remit; however, Electri6ity does offer eight distinctive, classic guitar models at its core, all offering high levels of intricate detail, authenticity and tonal variety. ES335: Semi‑acoustic, two humbuckers. Widely used for Jazz, blues and funk. L4: Acoustic bodied, two humbuckers.
Dark and mellow, good for jazz. Les Paul: Two humbuckers.
Les Paul: Two P90 single-coil pickups. High output, slightly dirty sound, less dark than humbuckers. Popular for rock and grunge styles. Danelectro Lipstick: Crisp and distinctly American retro. Surf, rockabilly, jangle pop.
Rickenbacker: Semi‑hollow bodied, two hi‑gain single coils. Bright, jangly when clean, creamy when overdriven. Stratocaster: Single coils. Bright and wiry, All genres. Telecaster: Distinctive, twangy sound.
All genres, especially country and blues. Vir2 Electri6ity £259 $399 pros.
Eight classic guitars offer plenty of tonal and stylistic variety. High level of performance detail, even using the default settings. Bags of potential for insanely detailed, finely nuanced performances.
Cons. Heavy RAM requirement presents limits for 32‑bit PCs. Learning the intimate details requires some time and patience.
Summary Electri6ity recreates the sound and behaviour of eight classic electric guitar models, to a very high level of detail. While the in‑depth parameters offer many ways to add finely detailed nuances to a performance, great results can also be achieved simply using the default setup, which requires only a modest learning curve. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents.
The views expressed are those of the contributors and not necessarily those of the publishers. Web site designed & maintained by PB Associates & SOS.
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